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Elzhi Interview

People have doubted Elzhi since he started rapping. His family wanted him to get a “stable” job. After eight years as a member of Slum Village, rapper T3, the group leader, left Elzhi out of the group’s music video for “Reunion 2.” When he decided to go solo, his label said he wouldn’t make it.

For years, Elzhi discussed remaking Nas’ album Illmatic, and calling it Elmatic. Naysayers said it would never come. They questioned how he could improve on such a classic album. Then last May the album was released. It was a huge success. Despite being an independent release, both video singles “Halftime” and “It Ain’t Hard To Tell” each received over 500k views.

Before interviewing Elzhi, I looked at his album’s track titles like “Genesis,” “Detroit State Of Mind,” and “It Ain’t Hard To Tell,” and concluded they were like chapter headings to his story. At the end of each chapter, I asked Elzhi to provide a song that reflected his answer. This is his playlist.

This post was written by David Johnson-Igra, The SF Critic.

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Indie Rock Remix Mix from our friends at Indie Shuffle

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New hip hop and pop mix from Coachella artist The Airplane Boys.

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A new digital hardcore mix from atari teenage riot

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Just added a new feature to mix creation - track annotations.
Now you can append each track with some words on why you chose it, what it means, why it’s important, or anything else you might want to add.
Enjoy, and let us know what you think. 

Just added a new feature to mix creation - track annotations.

Now you can append each track with some words on why you chose it, what it means, why it’s important, or anything else you might want to add.

Enjoy, and let us know what you think. 

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New rock mix from Coachella artist Gary Clark Jr. 

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Music Blog: Fresh New Tracks specializes in hip-hop, electro and dubstep mixes. Their latest mix covers up and coming (fresh, am I right?) hip hop artists. 

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Class Actress’ best of 2011.

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Porter Robinson, now on 8tracks

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Imagine the heartache as lead singer Marty Crandall was “let go” from The Shins. The uncertainty, anger, and sadness he must have felt. Sea Baby Wolf’s “Best of 2011” begins with Bill Callahan’s “America,” an edgy, alt-Americana song about American imperialism. And like the war in Afghanistan and Crandall’s path, the playlist turns with Braid’s “Plath Heart” brightly closing the door saying “Are we meant to be?” No. The tone shifts. As proscribed in their bio Sea Baby Wolf is in “nascent” form with only a few tracks to their name. Like a child searching for an identity they face the hills of emotion that rise confidently and dip discouragingly. After an aggressive track of guitars, a subdued tone settles in with Kurt Vile’s “Jesus Fever.” The nascent band is maturing, understanding their strengths and limitations, prepared to move forward.  

This review was written by David Johnson-Igra, The SF Critic

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